He composed the digital sonorization of important events and exhibitions, among which of particular importance «I Traci» (Venice, Palazzo Ducale, 1989) and «l’acqua degli dei» (Chianciano terme, Museo delle Acque, 2003). He is the author of the subject and the music of «Calabria terra omerica» (2008), an institutional feature film of the Tourism Department of the Calabria Region, of which, among other things, he personally supervised the direction. He was vice-artistic director of the Cantiere Internazionale d’Arte di Montepulciano in the 1997 and 1998 editions, then, on behalf of RAI, director of the radio production of that festival in the years 2004, 2005 and 2006.

In 2005 and 2006 he was the coordinator and the head of the Permanent Laboratory of Sonology and Musical Informatics of the Cantiere, in which context he designed and managed in collaboration with the University of Bologna the international conference “New resources for music education” (July 22-23, 2005). In 1984 he founded and ran «Studiosintesi» for twenty years, an innovative audio recording and editing studio, with an asset of over four hundred productions, including disco and radio and television productions. He is one of the founders of the RIVOALTO Discographic Label, in which context the entire Arcophon catalog was republished, full of valuable first world recordings of masterpieces of Italian music from the 1600s to the 1900s.

From 1989 to 2006 he was a recording consultant for Optimes, Sidac and for Concerti Italcable (later Concerti Telecom). From 1994 to 2000 he was responsible for many radio productions for RAI Radio Tre, including the 1995 and 1999 editions of the Venice Biennale Contemporary Music Festival and the 1998 edition of the Spoleto Festival. From 2002 to 2015 he was president of Logo Comunicazione srl, flanking his work in music with the entrepreneurial activity of manager in the planning and communication of cultural events. In this context, from 2005 to 2009 he was responsible for special projects and innovation in the Veneto District of Cultural Heritage.

Since 2018 he has been a permanent foreign member of the Portuguese Academy of Letters and Arts, and, since 2024, director of the MAC – Micromega cultural center in Venice.

Designer and editorial manager of Opusmodus ltd, he holds regular workshops, masterclasses and refresher sessions on Algorithmic Music Theory at university conservatories and DAMS.

He is designer and editorial manager in Opusmodus ltd in which context he carries out intense teaching activity at conservatories and universities through dedicated masterclasses. He is professor of Aesthetics and Musical Composition in the ARCHADIA, MAC and OCRA high schools of specialization.